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Put your hands on the remote! browse music »Alien Soundtracks by Chrome
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fave it Experimental Rock | Industrial Rock
10 tracks | 38 minutes
Released Aug 2007
on Noiseville
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- sample lyrics "DOWNLOAD" 03:50 Chomosome Damage lyrics BUY MP3 03:50 Chomosome Damage lyrics "GIFT MP3" 03:50 Chomosome Damage
- sample lyrics "DOWNLOAD" 02:23 The Monitors lyrics BUY MP3 02:23 The Monitors lyrics "GIFT MP3" 02:23 The Monitors
- sample lyrics "DOWNLOAD" 03:25 All Data Lost lyrics BUY MP3 03:25 All Data Lost lyrics "GIFT MP3" 03:25 All Data Lost
- sample lyrics "DOWNLOAD" 03:33 SS Cygni lyrics BUY MP3 03:33 SS Cygni lyrics "GIFT MP3" 03:33 SS Cygni
- sample lyrics "DOWNLOAD" 05:53 Nova Feedback lyrics BUY MP3 05:53 Nova Feedback lyrics "GIFT MP3" 05:53 Nova Feedback
- sample lyrics "DOWNLOAD" 06:01 Pygmies in Zee Parl lyrics BUY MP3 06:01 Pygmies in Zee Parl lyrics "GIFT MP3" 06:01 Pygmies in Zee Parl
- sample lyrics "DOWNLOAD" 03:47 Slip it to the Android lyrics BUY MP3 03:47 Slip it to the Android lyrics "GIFT MP3" 03:47 Slip it to the Android
- sample lyrics "DOWNLOAD" 03:27 Pharoah Chromium lyrics BUY MP3 03:27 Pharoah Chromium lyrics "GIFT MP3" 03:27 Pharoah Chromium
- sample lyrics "DOWNLOAD" 02:12 ST 37 lyrics BUY MP3 02:12 ST 37 lyrics "GIFT MP3" 02:12 ST 37
- sample lyrics "DOWNLOAD" 03:41 Magnetic Dwarf Reptile lyrics BUY MP3 03:41 Magnetic Dwarf Reptile lyrics "GIFT MP3" 03:41 Magnetic Dwarf Reptile
Industrial psych
Editorial review
With Creed recruited to replace original member Mike Low (though allegedly Edge initially turned Creed down after the latter appeared wearing a pirate outfit or something similar), Chrome started kicking into high gear at last. While Spain and Lambdin weren't out of the picture yet, cowriting half the songs with Edge, Creed's mind-melting guitar swiftly took prominence, turning a wiggy band into a total headtrip. Rather than just aiming at acid-rock styling, Creed stuffed his fretbending into an evil, compressed aggro-sound, at once psychedelic and totally in-your-face. Edge equals the activity by stepping into the vocal role himself, sounding like Iggy on a live wire with occasional attempts at weird, wailed crooning, while his electronics and drumming starts sounding a lot more vicious and totally scuzzed as well. It's not the short sharp shock of punk rock per se -- it just sounds like the title puts it, alien, sounds and TV samples firing out of nowhere and throwing the listener off balance. That many numbers are constructed out of short fragments adds to the weird overlay. Even the quieter numbers like "All Data Lost" play around with echo and drone to create disturbing results. The songs themselves allegedly were recorded as the soundtrack to a live sex show, which probably goes a long way towards explaining the sex and sci-fi combination of much of the lyrics. Not to mention the titles -- to quote some at random: "Nova Feedback," "Magnetic Dwarf Reptile," and the truly hilarious "Pigmies in Zee Dark" (there's some creepy crooning on this one) and "Slip It to the Android." The artwork adds to the weird effect -- a hand-colored late fifties 'cool' living room and busty babe setup with the band's and album name hand-scrawled in usual Chrome fashion over it, plus huge disembodied eyes and lips that make everything really disturbing. Overall, the combination of screwy sound and art on a budget placed Chrome as something like West Coast cousins of early Pere Ubu and Destroy All Monsters -- not a bad place to be. ~ Ned Raggett, All Music Guide
Bio / Background
From the Wire magazine in the UK
The Wire 175 [September 1998]
"100 Records That Set The World On Fire [When No One Was Listening]"
Chrome - Half Machine Lip Moves
(Siren/Beggars Banquet 1979)
The core duo of Chrome, Damon Edge and Helios Creed - aided by various musicians who fleetingly joined the project - created music that deserved something more than the cult audience it inevitably engendered Half Machine Lip Moves was a curious and powerful hybrid, which fused a stooges-style aggression with a sci-fi and LSD-inspired otherworldliness, reflected in titles that evidenced their interest in aliens and contemporary technology. This album was arguably their finest moment (Alien Soundtracks was their other meisterwerk): Creed's searing, heavily FX-laden guitar (Electro-Harmonix Bassballs?) and Edge's eerie Moog and vocals, underpinned by metallic drums, came together to create what could have become a radical new departure point for a nascent form of post-rock.
↓ more ↓Their influence may be discernible in the sound of Big Black and a few others; but the extent of their neglect can be measured in the month that Damon Edge's corpse remained undiscovered after his death in 1995. JE
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