Alien Soundtracks by Chrome

Artwork | Cover of Alien Soundtracksview larger image
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Experimental Rock | Industrial Rock

10 tracks | 38 minutes

Released Aug 2007
on Noiseville

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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Editorial review

With Creed recruited to replace original member Mike Low (though allegedly Edge initially turned Creed down after the latter appeared wearing a pirate outfit or something similar), Chrome started kicking into high gear at last. While Spain and Lambdin weren't out of the picture yet, cowriting half the songs with Edge, Creed's mind-melting guitar swiftly took prominence, turning a wiggy band into a total headtrip. Rather than just aiming at acid-rock styling, Creed stuffed his fretbending into an evil, compressed aggro-sound, at once psychedelic and totally in-your-face. Edge equals the activity by stepping into the vocal role himself, sounding like Iggy on a live wire with occasional attempts at weird, wailed crooning, while his electronics and drumming starts sounding a lot more vicious and totally scuzzed as well. It's not the short sharp shock of punk rock per se -- it just sounds like the title puts it, alien, sounds and TV samples firing out of nowhere and throwing the listener off balance. That many numbers are constructed out of short fragments adds to the weird overlay. Even the quieter numbers like "All Data Lost" play around with echo and drone to create disturbing results. The songs themselves allegedly were recorded as the soundtrack to a live sex show, which probably goes a long way towards explaining the sex and sci-fi combination of much of the lyrics. Not to mention the titles -- to quote some at random: "Nova Feedback," "Magnetic Dwarf Reptile," and the truly hilarious "Pigmies in Zee Dark" (there's some creepy crooning on this one) and "Slip It to the Android." The artwork adds to the weird effect -- a hand-colored late fifties 'cool' living room and busty babe setup with the band's and album name hand-scrawled in usual Chrome fashion over it, plus huge disembodied eyes and lips that make everything really disturbing. Overall, the combination of screwy sound and art on a budget placed Chrome as something like West Coast cousins of early Pere Ubu and Destroy All Monsters -- not a bad place to be. ~ Ned Raggett, All Music Guide

Bio / Background

From the Wire magazine in the UK

The Wire 175 [September 1998]

"100 Records That Set The World On Fire [When No One Was Listening]"

Chrome - Half Machine Lip Moves

(Siren/Beggars Banquet 1979)

The core duo of Chrome, Damon Edge and Helios Creed - aided by various musicians who fleetingly joined the project - created music that deserved something more than the cult audience it inevitably engendered Half Machine Lip Moves was a curious and powerful hybrid, which fused a stooges-style aggression with a sci-fi and LSD-inspired otherworldliness, reflected in titles that evidenced their interest in aliens and contemporary technology. This album was arguably their finest moment (Alien Soundtracks was their other meisterwerk): Creed's searing, heavily FX-laden guitar (Electro-Harmonix Bassballs?) and Edge's eerie Moog and vocals, underpinned by metallic drums, came together to create what could have become a radical new departure point for a nascent form of post-rock.

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