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Put your hands on the remote! browse music »Another View by Andrew Cheshire
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fave it Bebop | Traditional Jazz Combo
8 tracks | 66 minutes
Released Jul 2002
on Joule
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- sample lyrics "DOWNLOAD" 07:23 Another View lyrics BUY MP3 07:23 Another View lyrics "GIFT MP3" 07:23 Another View
- sample lyrics "DOWNLOAD" 05:39 Tomorrow Is Today lyrics BUY MP3 05:39 Tomorrow Is Today lyrics "GIFT MP3" 05:39 Tomorrow Is Today
- sample lyrics "DOWNLOAD" 07:29 Earth Dance lyrics BUY MP3 07:29 Earth Dance lyrics "GIFT MP3" 07:29 Earth Dance
- sample lyrics "DOWNLOAD" 07:55 Eva lyrics BUY MP3 07:55 Eva lyrics "GIFT MP3" 07:55 Eva
- sample lyrics "DOWNLOAD" 11:35 Secrets lyrics BUY MP3 11:35 Secrets lyrics "GIFT MP3" 11:35 Secrets
- sample lyrics "DOWNLOAD" 06:31 Saturn lyrics BUY MP3 06:31 Saturn lyrics "GIFT MP3" 06:31 Saturn
- sample lyrics "DOWNLOAD" 11:02 Diverge lyrics BUY MP3 11:02 Diverge lyrics "GIFT MP3" 11:02 Diverge
- sample lyrics "DOWNLOAD" 08:32 Love Planet lyrics BUY MP3 08:32 Love Planet lyrics "GIFT MP3" 08:32 Love Planet
Andrew Cheshire's quintet captures the essence of straight-ahead jazz as only the best have done these past few decades. His compositions feature the familiar sounds we remember; however, they're updated by his stellar electric guitar labors.
Editorial review
Cheshire, who by the time of this session had left Long Island and Brooklyn to live in Milanville, Pa., is in a more pronounced musical direction. His personal sound is at times steely, stealth and under-the-surface. There's a harder edge, sharpened by a band with tenor saxophonist Richie Perry and trumpeter Kurt Weiss that gives broader definition to his written material, and a clearer understanding of how to exist in the stratosphere. Rhythm mates bassist Ron McClure and drummer Jeff Hirshfield push the proceedings along with just the right mix of spunk and taste. There's some dark brooding in the opening title track, but by the second cut "Tomorrow Is Today," a group sound emerges, similar to a Lee Morgan-Joe Henderson or Jazz Messenger brilliance. The diamond is being sliced, facets are honed, light refracts from all directions. "Earth Dance" is a waltz-to-swing, slightly latinsh vehicle, and "Eva" (for Cheshire's wife) sports another shimmering melody. "Secrets" is a loping. longing line, "Saturn" again has Blue Notable references, "Diverge" is more moody and jagged (has Cheshire admired Larry Coryell?) while the finale "Love Planet" swings lightly, Perry getting to it directly and deeply, with a very Coltrane-Michael Brecker informed sound that infuses the group from the first to last drop of music played throughout this session. Cheshire's got a tiger by the tail here, trying to tame it without getting scratched. He's chasing that elusive balance between music that is original without sounding cliched. He's also searching for his own sound and has by and large achieved it with several different stances, much as a batter adapts to each individual pitcher. Perry and McClure help tremendously in that area, while the guitarist helps himself by not overstating the obvious. His music is charmed with the amazement of life, fueled by passion, and delivered in an honest manner. You can't ask for much more of modern jazz these days. ~ Michael G. Nastos, All Music Guide
Bio / Background
Personnel:
Andrew Cheshire - guitar
Rich Perry - tenor sax
Kurt Weiss - trumpet
Ron McClure - bass
Jeff Hirshfield - drums
Recorded 5/6/97
Cover Art: Andrew Cheshire
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Guitarist Andrew Cheshire's second release stands out from the crowd by virtue of his distinctive original compositions, as well as individual contributions that bring out some magical group interaction. Cheshire had apparently planned to play the date on acoustic guitar, but decided at the last minute to go with a solid-body electric. It was a fortuitous choice. While the tunes themselves recall the more adventurous side of the classic Blue Note era, they have an open, airy feel that also brings to mind Kenny Wheelers writing.
↓ more ↓Cheshire's warm chords mix with single notes that are quietly sustained, bent, and whammied into vapor trails that Ron McClure inhales and feeds back to Rich Perry's warmly volatile tenor, and Kurt Weiss' flexible, singing trumpet. Jeff Hershfeild's masterful control of dynamics on drums rounds out a wonderfully cohesive group, all the more amazing given the fact that this band had never played together before. What's more, the date took all of five hours to finish, with first takes predominating. You'd never know it from the results; this sounds like a working unit, everyone shining in his own right, their individual lights refracting and making the leaders writing resonate with uncommonly sympathetic, graceful interpretations. Strongly recommended. - Larry Nai, Cadence
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Andrew Cheshire's quintet captures the essence of straight-ahead jazz as only the best have done these past few decades. His compositions feature the familiar sounds we remember; however, they're updated by his stellar electric guitar labors.
The guitarist relies on a vocal-like articulation that appears to have roots in the blues. Gentle slides, fluctuating harmonic sprays, and free-flowing phrases characterize much of his work on this session. Cheshire has finely-honed technical skills on his instrument; yet he shares the bandstand equally with the others. Tenor saxophonist Rich Perry combines a fluid articulation with his softened tone. Like Joe Henderson, he spins a solo gracefully and teams with the trumpeter for synchronized melodies. Trumpeter Kurt Weiss favors a ballad approach that he freely mixes with inspired motion. His crystal-clear tone and precise articulation take second chair to his half-valve expressions, bent notes, and fiery but quiet outbursts. "Earth Dance" is a prime example of Cheshire's work. On it the ride cymbal, walking bass, and guitar chords set the stage as improvised solos pour forth from the leader and his saxophonist partner. Tenor sax and trumpet pair up on the tune's head for a clean-sounding statement of the melody, and in-between, the ensemble manages to stir the offering considerably. Highly Recommended. - Jim Santella, All About Jazz
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