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Put your hands on the remote! browse music »The Game's Afoot! by John Carlini
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fave it Smooth Jazz | Background Music
9 tracks | 43 minutes
Released Jun 2003
on FGM Records
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- sample lyrics "DOWNLOAD" 03:02 Kool Kitsch lyrics BUY MP3 03:02 Kool Kitsch lyrics "GIFT MP3" 03:02 Kool Kitsch
- sample lyrics "DOWNLOAD" 06:50 Blues al Dente lyrics BUY MP3 06:50 Blues al Dente lyrics "GIFT MP3" 06:50 Blues al Dente
- sample lyrics "DOWNLOAD" 05:14 BitterSweet lyrics BUY MP3 05:14 BitterSweet lyrics "GIFT MP3" 05:14 BitterSweet
- sample lyrics "DOWNLOAD" 03:10 The Game's Afoot lyrics BUY MP3 03:10 The Game's Afoot lyrics "GIFT MP3" 03:10 The Game's Afoot
- sample lyrics "DOWNLOAD" 04:06 Poor Wayfaring Stranger lyrics BUY MP3 04:06 Poor Wayfaring Stranger lyrics "GIFT MP3" 04:06 Poor Wayfaring Stranger
- sample lyrics "DOWNLOAD" 04:25 Yer Bad Self lyrics BUY MP3 04:25 Yer Bad Self lyrics "GIFT MP3" 04:25 Yer Bad Self
- sample lyrics "DOWNLOAD" 04:44 Aerborn lyrics BUY MP3 04:44 Aerborn lyrics "GIFT MP3" 04:44 Aerborn
- sample lyrics "DOWNLOAD" 04:23 So It Goes lyrics BUY MP3 04:23 So It Goes lyrics "GIFT MP3" 04:23 So It Goes
- sample lyrics "DOWNLOAD" 08:00 Mugavro lyrics BUY MP3 08:00 Mugavro lyrics "GIFT MP3" 08:00 Mugavro
Presents original acoustic music uniquely arranged and orchestrated using the influences from the idioms of bluegrass, jazz, and classical music.
Editorial review
Tony Rice, who penned the liner notes for this album of acoustic instrumental music by the John Carlini Quartet, struggles to choose a genre for it, writing, "For lack of a better term, I would categorize the music herein as simply modern string jazz," but then pulling back from that description because of the presence (on most of the tracks) of a five-string banjo played by Pat Cloud, and the inclusion of a drummer. "These instruments are not usually associated with string jazz <i>a l?</i> Stephane Grappelli/Django Reinhardt-Joe Venuti/Eddie Lang," Rice acknowledges, and he might have added that the absence of a violin also complicates things. Guitarist Carlini was once a member of David Grisman's group, and this one mirrors Grisman's lineup (minus the drummer), so one might use Grisman's catchall term "dawg music" to describe the result. It's really a hybrid of acoustic jazz and bluegrass, and perhaps leans a bit more toward jazz than Grisman's music, however, which is where the reference to Stephane Grappelli and Django Reinhardt's Hot Club of France comes in. Unlike most musicians, Rice acknowledges that categorizing music "has some merit" in that it helps non-musicians figure out "where to find it on the radio or in the record store." (It also helps mere listeners determine whether they're going to like it.) So, let's say that fans of Grisman and/or the Hot Club will feel at home here as Carlini and company improvise effectively on a set of Carlini's tunes that sound like they could have been written for a straight-ahead jazz group even though they're being played on what are considered to be country instruments. The music is a lot of fun, and the band probably gets invited to twice as many music festivals this way. ~ William Ruhlmann, All Music Guide
Bio / Background
The John Carlini Quartet's newest release The Game's Afoot! presents original acoustic music uniquely arranged and orchestrated using the influences from the idioms of bluegrass, jazz and classical music. Carlini's music on this release blends influences and experiences from his diverse musical background. "Since my early days with the David Grisman Quintet," Carlini recalls, "internally I heard these instruments playing within the context of combining orchestrated music with improvisation with no limitations to the harmonic and linear content of the music. I think of it as a Miles Davis-type group playing on bluegrass instruments."
Using the talents of first-rate jazz musicians who were equally adept in the bluegrass genre, John's challenge to the band members was thay they be able to discuss Bill Monroe and John Coltrane in the same sentence and seamlessly blend those musical expressions in their execution of these tunes.
↓ more ↓Carlini describes the recording process as "the essence of jazz" in that there were no overdubs. "It was important to me that the band was reacting to each other, within the parameters of the arrangements, but that there was also the element for the unexpected, which is an essential part of this music," Carlini explains.
For Carlini, bringing the talents of Don Stiernberb (mandolin) and Pat Cloud (banjo) to the band represents a "perfect fit." He explains: "Don and Pat are jazz musicians who just happen to play mandolin and five-string banjo. Behind any jazz player are years of a specific kind of practice and experience, and that work is highly usual on these instruments. Don and Pat have the musical instincts inherent in all great jazz players. They have the ability to handle any musical situation. They first time I jammed with them I knew that they were the right guys for this music and I know that they would be a great match for my long-time rhythm section, Brian Glassman (bass) and Steve Holloway (drums and percussion)."
From the liner notes by Tony Rice: "The music created here by the John Carlini Quartet with Pat Cloud is serious music worthy of serious listening. Miles Davis once said that when pianist, Bill Evans, played a chord it was perceived as more of a "sound" than a chord per se. And so it is here, played by well-seasoned, well-schooled musicians, playing together as a unit to create a pleasant listening experience."
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