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Put your hands on the remote! browse music »Passing Thru by Audrey Ryan
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fave it Folk Rock | Jazz Vocals
13 tracks | 63 minutes
Released Aug 2004
on Audrey Ryan
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- sample lyrics "DOWNLOAD" 03:58 Passing Thru lyrics BUY MP3 03:58 Passing Thru lyrics "GIFT MP3" 03:58 Passing Thru
- sample lyrics "DOWNLOAD" 05:20 Nostalgia lyrics BUY MP3 05:20 Nostalgia lyrics "GIFT MP3" 05:20 Nostalgia
- sample lyrics "DOWNLOAD" 05:31 Watch lyrics BUY MP3 05:31 Watch lyrics "GIFT MP3" 05:31 Watch
- sample lyrics "DOWNLOAD" 03:02 Slick Chick, Sly Fly lyrics BUY MP3 03:02 Slick Chick, Sly Fly lyrics "GIFT MP3" 03:02 Slick Chick, Sly Fly
- sample lyrics "DOWNLOAD" 03:24 Nothing Left lyrics BUY MP3 03:24 Nothing Left lyrics "GIFT MP3" 03:24 Nothing Left
- sample lyrics "DOWNLOAD" 03:40 Run lyrics BUY MP3 03:40 Run lyrics "GIFT MP3" 03:40 Run
- sample lyrics "DOWNLOAD" 11:24 Alien Nation lyrics BUY MP3 11:24 Alien Nation lyrics "GIFT MP3" 11:24 Alien Nation
- sample lyrics "DOWNLOAD" 03:49 Talk lyrics BUY MP3 03:49 Talk lyrics "GIFT MP3" 03:49 Talk
- sample lyrics "DOWNLOAD" 04:12 Espresso Bean lyrics BUY MP3 04:12 Espresso Bean lyrics "GIFT MP3" 04:12 Espresso Bean
- sample lyrics "DOWNLOAD" 04:32 Say Can You lyrics BUY MP3 04:32 Say Can You lyrics "GIFT MP3" 04:32 Say Can You
- sample lyrics "DOWNLOAD" 06:14 Red War lyrics BUY MP3 06:14 Red War lyrics "GIFT MP3" 06:14 Red War
- sample lyrics "DOWNLOAD" 03:59 Summer lyrics BUY MP3 03:59 Summer lyrics "GIFT MP3" 03:59 Summer
- sample lyrics "DOWNLOAD" 04:23 Audrey's Head lyrics BUY MP3 04:23 Audrey's Head lyrics "GIFT MP3" 04:23 Audrey's Head
Original alt. jazz/rock with folk/pop tendencies. Singer-songwriter with illusive songs of nostalgia, coffee, speeding tickets, winter, talking in bars, alienation. Music lyrical, eclectic, melodic, and inovative. (Think Wilco, Stereolab, Joni Mitchell).
Editorial review
Audrey Ryan's debut CD, Passing Thru, is a good indicator of the many talents possessed by this creative and interesting singer/songwriter from the Boston area. This album, recorded at Neighborhoods singer David Minehan's studio, Wooly Mammoth, between March and June 2004, is chock-full of strong material performed well. The problem is that the vibrant live show, as well as the energy found on their raw demos, did not translate well on this production by the singer and her engineer, Dave Wesner. Al Marra's vibraphone is a real treat but those wonderful sounds don't emerge as pronounced as on the earlier demo tapes. Check out the solo in "Red War" to hear a bit of the potential. "Nothing Left" could be so much more if the instrumentation had a better mix -- all the elements are there, the composition being especially strong. Pete Kelley is one of the better drummers around and he helps build a groove along with bassist Casey Abrams -- the latter fellow with his own music in release in addition to his work here. Ryan has a compelling voice and is a soulful guitarist; just listen to "See Can You" for a modern-day "Girl from Ipanema." The music here has fantastic possibilities -- and maybe all that's needed is a remix of the original tapes, for everything on Passing Thru feels restrained -- like a film edited so thoroughly that the colors give the appearance of being more black and white. The science fiction overtones on "Alien Nation" -- one of the disc's many great moments -- and "Watch" add a nice break and work to keep the interest level up. This ensemble is never afraid to take chances. Check out the Ryan/Abrams composition "Summer" for a taste of some of the risk at play. New artists need one great song which can launch off a disc and make immediate new friends, and Audrey Ryan has the gifts to come up with that smash, along with many more. You can hear it inside simple tunes like "Nothing Left," and though the musicians in the group changed almost two years after this debut, this artist is someone to keep an eye on. The pluses here outweigh the flaws, and overall it is a fine effort, especially for an album debut. ~ Joe Viglione, All Music Guide
Bio / Background
Audrey Ryan performs original alternative jazz/rock. Her music is lyrical, eclectic, innovative, and has been described as "genre-bending" and "multi-genred" by many. Tunes vary from a latin beat to a jazz groove, a folk song to a funky rock diddy. Jazz is the most common influence for Audrey and the musicians in her band instrumentally (anything from Miles Davis to Medeski) and the 7th chords are what sets them apart from your regular rock and folk bands. It adds complexity to the tunes in trying to balance song structure and improvisation. But really you have jazz musicians playing a singer-songwriter's music and in the end it comes out more pop than jazz. Audrey's favorite modern bands are Radiohead, Wilco, and Stereolab. "I grew up on Guns-N-Roses while my parents listened to Dylan, Cash, Neil Young, and Joni Mitchel. And somehow this all makes it into the sound.
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The title track, "Passing Thru," is a haunting, bittersweet melody fueled by forlorn fiddles, dreamy vibes, and reflections on transience: "But why's it keep on ending? You know I'm tired of making all these new friends." The cheeky "Slick Chick Sly Fly" uses funky guitar riffs and driving drum rolls to wax poetic about summers in local bars; lyrics like "No you don't need just one more drink or you might go home with another creep" are delivered with a wink. "Run" daringly combines nursery rhymes with activism, punctuated with barrages of skittish instrumentation--yet somehow the blend is seamless. The momentum continues with the energetic jazz romp "Espresso Bean," which embarks on "curves and bends you know by heart and yes, the speed limit is much to slow" and leads to a speeding ticket blamed on too much caffeine.
Born in Bar Harbor, Maine, Audrey Ryan's musical trip began with violin lessons at age 7, an introduction to guitar at 10, and songwriting that started in middle school. She studied at the Sydney Conservatory of Music, challenging herself to take an improvisational approach to composing. In addition to teaching violin, guitar, and music theory, she's traveled throughout Africa and Asia, where her songwriting continued to evolve. Ryan cut her teeth in jazz, bluegrass, and experimental bands throughout New England and now performs nationwide. She plays with her Cambridge-based band live and on the new album, Passing Thru. A string of tour dates in support of the album are planned for this summer and fall.
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