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Put your hands on the remote! browse music »Cutting Room Rug by Arms of Kismet
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fave it Modern Rock | Quirky
11 tracks | 34 minutes
Released Apr 2005
on Wampus Multimedia
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- sample lyrics "DOWNLOAD" 03:56 Auriculara (Listen to Me) lyrics BUY MP3 03:56 Auriculara (Listen to Me) lyrics "GIFT MP3" 03:56 Auriculara (Listen to Me)
- sample lyrics "DOWNLOAD" 03:53 Outbound Train lyrics FREE 03:53 Outbound Train lyrics "GIFT MP3" 03:53 Outbound Train
- sample lyrics "DOWNLOAD" 02:56 Clover lyrics BUY MP3 02:56 Clover lyrics "GIFT MP3" 02:56 Clover
- sample lyrics "DOWNLOAD" 00:30 Listen (to This) lyrics BUY MP3 00:30 Listen (to This) lyrics "GIFT MP3" 00:30 Listen (to This)
- sample lyrics "DOWNLOAD" 04:59 Coil lyrics BUY MP3 04:59 Coil lyrics "GIFT MP3" 04:59 Coil
- sample lyrics "DOWNLOAD" 04:17 Life Imitates lyrics BUY MP3 04:17 Life Imitates lyrics "GIFT MP3" 04:17 Life Imitates
- sample lyrics "DOWNLOAD" 03:00 Clarendon lyrics BUY MP3 03:00 Clarendon lyrics "GIFT MP3" 03:00 Clarendon
- sample lyrics "DOWNLOAD" 00:30 Listen (to That) lyrics BUY MP3 00:30 Listen (to That) lyrics "GIFT MP3" 00:30 Listen (to That)
- sample lyrics "DOWNLOAD" 03:51 Cracks lyrics BUY MP3 03:51 Cracks lyrics "GIFT MP3" 03:51 Cracks
- sample lyrics "DOWNLOAD" 03:51 Pinnacle of Same lyrics BUY MP3 03:51 Pinnacle of Same lyrics "GIFT MP3" 03:51 Pinnacle of Same
- sample lyrics "DOWNLOAD" 03:00 Listen to You lyrics BUY MP3 03:00 Listen to You lyrics "GIFT MP3" 03:00 Listen to You
Brooding and poppy, funny and foreboding, it's toe-tapping, tragicomic rock 'n' roll.
Editorial review
The follow-up to Arms of Kismet's 2004 release, Eponymous, finds much darker things emerging from Mark Doyon's pen. The theme here is put right on the table with opening track "Auriculara (Listen to Me)," reprised with two 30-second moments later on -- "Listen (To This)" and "Listen (To That)." Not recommended for bipolar people, there are more down moods painted then ups, making the earlier disc more inviting. "Clarendon" is an interesting episode on this close to 35-minute outing that travels through rockabilly and post-punk worlds like a journeyman possessed. The singer/songwriter stretches through these dark passages on Cutting Room Rug with his dry, witty observations. "Cracks" explains it in an airy moment, drums brushing against a collage of sounds that sets the stage for "Pinnacle of Same." "Pinnacle" hits a majestic tone aided by Beatles-influenced guitars -- mastering engineer Jon Astley (having worked with George Harrison) certainly knows how to keep them subtle and sweet. It's the opposite of "Coil," a tune that pulsates slowly, with sounds that pull the listener back into the cave. "Life Imitates" finds Doyon's collaborator from his earlier Wampeters ensemble, Kowtow Popof, returning to lend a hand on what could easily be dubbed "downer folk." Other guests join the montage on this intriguing but sometimes disturbing statement, which closes out with "Listen to You." The give and take slips everything back into the solitary mood, kind of like George Harrison's reworking of the slow version of "Isn't It a Pity" on All Things Must Pass, a counterpoint to its exhilarating doppelg?nger, in this case "Auriculara (Listen to Me)," which started the whole thing off. ~ Joe Viglione, All Music Guide
Bio / Background
If Arms of Kismet's 2004 debut, Eponymous, was a heartfelt affirmation, the new Cutting Room Rug is its prankster twin, fusing parodic rants with tragic laments in a playful cocktail of satire and sincerity. From the mischievous "Clover" to the ominous "Coil," the new CD is a dark joyride, careening from track to track like a condemned man in a funhouse. Its inhabitants can only cry at weddings, can only laugh at funerals.
Fans of postmodern popsters like Beck, The Flaming Lips, and The Postal Service will find a kindred spirit in Arms of Kismet. Cutting Room Rug forsakes pimpin' and rides for pointed salvos wrapped as sweet confections. Split into three "acts," it attacks with guitars, hooks, and dancebeats, wooing the listener with sugary, stuck-in-your-head melodies and fractured lyrics. The format recalls The Firesign Theatre and The Who Sell Out, veering between spiritual yearning and crass commercialism, compelling passers-by to forget their troubles and "spin the wheel.
↓ more ↓" It sketches a perilous, chaotic world begging for a skip and a chuckle.
Arms of Kismet blends disparate genres ("roots" music, '80s rock, hip-hop) in offbeat and revelatory ways. From the hooky "Outbound Train" to the folky "Life Imitates" to the house-soaked "Cracks," it paints a fast-changing landscape where one never knows what ripping good luck or bitter misfortune waits over the next hill. Brooding and poppy, funny and foreboding, it's toe-tapping, tragicomic rock 'n' roll.
Cutting Room Rug was written and produced by Mark Doyon, mastered by Jon Astley (Tori Amos, George Harrison, Pete Townshend), and released by independent label Wampus Multimedia. Guests include Kowtow Popof ("Life Imitates") Janna Audey ("Coil"), Eamon Loftus ("Auriculara [Listen to Me]"), Scott Goodrick ("Clarendon"), and Paul Golder ("Auriculara [Listen to Me]").
Doyon released CDs as Wampeters during the 1990s, and published a book of fiction, Bonneville Stories, in 2001. He thinks of Cutting Room Rug like a jigsaw puzzle. "Sometimes the puzzle falls off the table," he says. "You can put it back together, or you can do something else with the pieces."
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"Witty, idiosyncratic indie-rock that is to a band like Maroon 5 what a film like Sideways is to one like Miss Congeniality 2.... Zealously off-center, moderately acidic, daringly intellectual and vastly entertaining.... These are songs to not just listen to, but explore, a series of musical masks donned by an artist with keen insight and an outsized sense of playfulness." --Jason Warburg, The Daily Vault
"This disc just sucks you in with its unabashed joy.... Cutting Room Rug is one of those albums that your hipster friends will swear by and which you will inevitably discover by accident about three years from now. Save everyone the lag time and buy the disc now. That decision will make you cooler than you have any right to be. Rating: A." --Groovevolt.com
"Arms of Kismet features the genius of Mark Doyon. This stuff is so good that it almost defies explanation. On the surface, it's great power pop. A little below the surface is a whole other species of musical madness." -- Mike Perazzetti, The Fevered Brain of Radio Mike
"The music of Arms of Kismet is about as enigmatic as its name makes it sound. This is alternative rock, but it's not loud, angry or weird. Instead, it's intelligent, insightful and warm. Oddly enough, it's edgy music that somehow makes you feel good." --Dan MacIntosh, Indie-Music.com
"Led by Mark Doyon, Arms of Kismet find themselves among Virginia's rising stars of postmodern rock. The fearless genre-bending makes a stop on the Dylanesque travel tale, 'Outbound Train,' which Bob would probably not just love but loathsomely curse that he didn't write two or three decades ago. Interesting and fun, go grab this as it's an even better album than their debut of a year ago. (Editor's Pick)" --Smother.net
"Cutting Room Rug is full of mysterious, atmosphere-laden joyrides, where you never know just where the train is taking you. Transitioning into tracks such as 'Cracks,' 'Outbound Train,' and 'Clover' are perfect examples of this, stringing you along in one direction then suddenly veering hard right, jolting you into another path altogether. The highly danceable 'Pinnacle of Same' finds Arms of Kismet in yet another atmosphere, making listeners hip-hop and toe-tap to its groovy drum beat and deep bed of cheerful keyboards." --AntiMUSIC
"Full of quirky, off-center, witty tunes about everything from returning to the childhood neighborhood to just listening. With Arms of Kismet you get those same 'what the hell did he just say?' and 'what the hell does that mean?' feelings you get when listening to Dylan or Lou Reed. This is some pretty heady stuff but it's fun all the same." --J.R. Oliver, Ear Candy
"Mark Doyon is back with a follow-up to his well-received Eponymous CD.... The recording is great once again, solid as a pop rock. A good mix of acoustic and electric sounds. Mark's songwriting style is catchy and witty and he's adventurous enough to add little elements that really differentiate and suit the songs while remaining true to his foundation sound. Lyrics are once again challenging and a bit esoteric, but easy to listen to and discern." --Steve Allat, The Muse's Muse
"Cutting Room Rug is, if anything, even better than Eponymous. 'Postmodern pop for the stout of heart' goes the press release, and to my ears this CD is more eclectic than the first. 'Listen to Me' begins and ends the record and one wonders why we're not hearing this song every day on the radio. What follows ('Outbound Train') is more rockabilly in style, and a song that George Harrison and the Traveling Wilburys would have been proud of (as is 'Clarendon'). 'Clover' starts off as a blues with a name check of 'Rosedale'.... 'Life Imitates' is a Petty-like folk ballad. The clever wordplay continues on 'Cracks' with its ominous 'house' feel." --Zeitgeist
"These songs are fun to hear, but they are also thought-provoking, especially when you read/hear the lyrics. The tracks are deceptively complex in rhythm and musical quality.... Mark Doyon is a talented songwriter, and a gifted musician/producer. You need to hear the tunes that he is laying down here to gain a full appreciation of that fact." --Mark Lush, Midwestbands.com
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