Arrive by Aram Shelton

Artwork | Cover of Arriveview larger image
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Free Jazz | Bebop

5 tracks | 45 minutes

Released Sep 2005
on 482 Music

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sample lyrics "DOWNLOAD" 09:28 On Time lyrics BUY MP3 09:28 On Time lyrics "GIFT MP3" 09:28 On Time
sample lyrics "DOWNLOAD" 09:01 All Dressed Up lyrics BUY MP3 09:01 All Dressed Up lyrics "GIFT MP3" 09:01 All Dressed Up
sample lyrics "DOWNLOAD" 07:24 Because of You lyrics BUY MP3 07:24 Because of You lyrics "GIFT MP3" 07:24 Because of You
sample lyrics "DOWNLOAD" 10:07 The Return lyrics BUY MP3 10:07 The Return lyrics "GIFT MP3" 10:07 The Return
sample lyrics "DOWNLOAD" 09:14 Johann & Leo lyrics BUY MP3 09:14 Johann & Leo lyrics "GIFT MP3" 09:14 Johann & Leo

"Its tightly arranged, emotionally muted originals have a lovely chamber-jazz feel, with musicians combining to repeat unison phrases and carve out spaces for solos; the pieces are elaborate yet never sound fussed over."-Peter Margasak, Chicago Reader


Editorial review

Arrive is Aram Shelton's second release on 482 Music (the first one was with the group Grey Ghost). This quartet project features the Vandermark 5's drummer, Tim Daisy (who previously worked with Shelton in the trio Dragons 1976), vibraphonist Jason Adasiewicz (Harris Eisenstadt's The Soul and Gone), and bassist Jason Roebke (Tigersmilk, Scott Fields Ensemble and Eisenstadt's The Soul and Gone) -- a Chicago jazz quartet by all means. Arrive runs on sharp heads, a flexible rhythm section, and inspired far-reaching exchanges between Shelton's alto sax and Adasiewicz's vibes. The young sax player's writing has a lot of elegance and soul, in a field where it's often too easy to come up with clinical-sounding themes. "All Dressed Up" is propelled by a warm tune that you are likely to come back to often. "The Return" has a well-pinned free jazz flux going on, with mind-boggling work from Roebke and Daisy. The only disappointment is "Johann & Leo"; its vibes intro is a bit too predictable and bland to truly showcase Adasiewicz's skills, and the piece tacked to it fails to convince the listener that the harsh contrast between the ballad-like sax line and the hammered vibes part was really necessary. Shelton's tone is well rounded, with nice boppy inflections and a sharp attack, even in the quieter pieces. The album has been kept short (45 minutes), which, "Johann & Leo" aside, provides a pleasant and focused listening experience. ~ Fran?ois Couture, All Music Guide

Bio / Background

Document Chicago #9

"Reedist Aram Shelton plays with a thoughtfulness and structural rigor that's rare in a twentysomething jazz musician, but he also brings a deeply improvisational mind-set to each of his projects; in the trio Dragons 1976 he cultivates an impeccable sense of space and dynamics, and in the electroacoustic duo Grey Ghost he makes sure that the computer elements stay integral to the music. The quartet Arrive isn't as well-known as those groups--that should change when 482 Music releases its debut this fall--but it's as good as anything Shelton's had a hand in. Its tightly arranged, emotionally muted originals have a lovely chamber-jazz feel, with musicians combining to repeat unison phrases and carve out spaces for solos; the pieces are elaborate yet never sound fussed over. Shelton's alto sax and Jason Roebke's bass often pair up within the ensemble, as do Tim Daisy's drums and Jason Adasiewicz's vibes, but the group is flexible enough to try different combinations.

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