King Of Missouri by Anton Barbeau with The Bevis Frond

Artwork | Cover of King Of Missouriview larger image
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Progressive Rock | Psychedelic

12 tracks | 41 minutes

Released Apr 2005
on Bongo Beat Records

Click Listen sample for a 30-second preview. All tracks are 192kbps high fidelity sound quality. Protected WMA $0.77 or unprotected MP3 $0.88.

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sample lyrics "DOWNLOAD" 02:22 King Of Missouri lyrics BUY MP3 02:22 King Of Missouri lyrics "GIFT MP3" 02:22 King Of Missouri
sample lyrics "DOWNLOAD" 03:13 Sweet Creature, What's Your Name? lyrics BUY MP3 03:13 Sweet Creature, What's Your Name? lyrics "GIFT MP3" 03:13 Sweet Creature, What's Your Name?
sample lyrics "DOWNLOAD" 03:25 Octagon lyrics BUY MP3 03:25 Octagon lyrics "GIFT MP3" 03:25 Octagon
sample lyrics "DOWNLOAD" 03:37 The Clothes I Want To Wear lyrics BUY MP3 03:37 The Clothes I Want To Wear lyrics "GIFT MP3" 03:37 The Clothes I Want To Wear
sample lyrics "DOWNLOAD" 03:01 I Remember Everything lyrics BUY MP3 03:01 I Remember Everything lyrics "GIFT MP3" 03:01 I Remember Everything
sample lyrics "DOWNLOAD" 02:57 It's Okay, Maybe lyrics BUY MP3 02:57 It's Okay, Maybe lyrics "GIFT MP3" 02:57 It's Okay, Maybe
sample lyrics "DOWNLOAD" 03:10 I'm Always Offending My Sensitive Friends lyrics BUY MP3 03:10 I'm Always Offending My Sensitive Friends lyrics "GIFT MP3" 03:10 I'm Always Offending My Sensitive Friends
sample lyrics "DOWNLOAD" 05:10 Cheque's In The Mail lyrics BUY MP3 05:10 Cheque's In The Mail lyrics "GIFT MP3" 05:10 Cheque's In The Mail
sample lyrics "DOWNLOAD" 03:25 I Don't Like You lyrics BUY MP3 03:25 I Don't Like You lyrics "GIFT MP3" 03:25 I Don't Like You
sample lyrics "DOWNLOAD" 06:44 Sylvia Something lyrics BUY MP3 06:44 Sylvia Something lyrics "GIFT MP3" 06:44 Sylvia Something
sample lyrics "DOWNLOAD" 03:44 Retabulation lyrics BUY MP3 03:44 Retabulation lyrics "GIFT MP3" 03:44 Retabulation
sample lyrics "DOWNLOAD" 00:17 Motor lyrics BUY MP3 00:17 Motor lyrics "GIFT MP3" 00:17 Motor

King of Missouri is like (ok, take your pick) Kevin Ayers, John Cale, Robyn Hitchcock, Julian Cope, or even Andy Partridge fronting the Jeff Beck Yardbirds, or better yet, The Move.


Editorial review

Anton Barbeau sounds a little like early-'70s David Bowie going power pop on King of Missouri, with Nick Saloman of Bevis Frond, as the liner notes say, supplying "many guitars, keyboards, beautiful blur." It's not the most organic combination, but it works OK. It could have been better, for various reasons. Although Barbeau's voice is Bowie-esque, it's shaky and a little mousy. It's also hard to imagine Bowie writing something titled "I'm Always Offending My Sensitive Friends." Beyond the Bowie comparisons (or the ones he invites to John Lennon, as when the vocals ascend into a high register on "Retabulation"), there's a bit of a wordy and griping quality to some of the lyrics. He sometimes reminds you of that pushy wise-ass who doesn't know when to shut up before putting his foot in his mouth. Some of the people and situations that rub him the wrong way might merit criticism, but he's not the most likable fella either, particularly when he's singing "I Don't Like You." Still, the melodies are reasonably catchy and the arrangements confident, for those who like to hear echoes of the better aspects of early-'70s-style pop/rock 30 years down the line. ~ Richie Unterberger, All Music Guide

Bio / Background

Anton Barbeau lives in Sacramento, CA, and has been releasing albums since 1993. King of Missouri is his 7th and possibly the most accurate representation to the mainstream world of how a majorly talented songwriter can create such a fantastic prolific body of work seemingly in an alternate universe where the grand tradition of British pop psychedelia and English eccentricity continue to flourish, channelled through an unassuming American pop accolyte.

King of Missouri is like (ok, take your pick) Kevin Ayers, John Cale, Robyn Hitchcock, Julian Cope, or even Andy Partridge fronting the Jeff Beck Yardbirds, or better yet, The Move!

The most amazing thing about this album is how the full rock n roll power of The Bevis Frond and the raw lyricism of Nick Saloman's exquisite guitar bristle brilliantly within the constraints of Anton Barbeau's tightly plotted pop structures. It's a fantastic, and actually genius team up.

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