Max Eastley

Max Eastley began in the late sixties to investigate the relationship of chance to music. Using kinetic sound machines or the environmental forces of wind, streams and sea. As a consequence his career opened out into these various branches of creative and philosophical exploration. He has exhibited his sound installations internationally, and collaborated with a wide range of artists, musicians and filmmakers, including Brian Eno, Peter Greenaway, Evan Parker, Thomas K?ner and Eddie Pr?vost.